I am curious? on how many blue note lps did Hank Mobley play?
(the 5000 series are 10 inch lps)
5058 Horace Silver Quintet, Vol. 1, November, 1954
5062 Horace Silver Quinet, Vol. 2, February, 1955
5064 Julius Watkins Sextet, Vol. 2, March 1955
5065 Afro-Cuban/Kenny Dorham, March 1955
5066 Hank Mobley Quartet, March 1955
5070 The Eminent J.J. Johnson, Vol. 3, June 1955
1506 The Eminent J.J. Johnson, Vol. 2 June 6, 1955
1507 The Jazz Messengers at the Cafe Bohemia, Vol. 1 November 1955
1508 The Jazz Messengers at the Cafe Bohemia, Vol. 2 November 1955
1518 Horace Silver and the Jazz Messengers, Nov 1954/Feb 1955
1535 Afro-Cuban/Kenny Dorham, January 1955/March 1955
1539 6 Pieces of Silver/Horace Silver, November 1956
1540 Hank Mobley with Donald Byrd and Lee Morgan, November 1956
1541 Lee Morgan, Vol. 2, December 1956
1544 Hank Mobley and his All Stars, January 1957
1547 A Date with Jimmy Smith, Vol. 1, February 1957
1548 A Date with Jimmy Smith, Vol. 2, February 1957
1550 Hank Mobley Quintet, March 1957
1559 A Blowing Session/Johnny Griffin, Vol. 2, April 1957
1560 Hank, April 1957
1562 The Stylings of Silver/Horace Silver, May 1957
1567 The Opener/Curtis Fuller, June 1957
1568 Hank Mobley, June 1957
1570 Dial "S" for Sonny, July 1957
1574 Peckin' Time/Hank Mobley, Lee Morgan, February 1958
4015 At the Jazz Corner of the World, Vol. 1/Art Blakey, April 1959
4016 At the Jazz Corner of the World, Vol. 2/Art Blakey, April 1959
4023 Star Bright/Dizzy Reece, November 1959
4031 Soul Station, February 1960
4048 Byrd in Flight/Donald Byrd, January 1960
4056 Goin' Up/Freddie Hubbard, November 1960
4058 Roll Call, November 1960
4059 Undercurrent/Kenny Drew, December 1960
4063 Whistle Stop/Kenny Dorham, January 1961
4080 Workout, March 1961
4123 A New Perspective/Donald Byrd, January 1963
4126 My Point of View/Herbie Hancock, March 1963
4149 No Room for Squares, March 1963/October 1963
4158 Good Move/Freddie Roach, December 1963
4186 The Turnaround, March 1963/February 1965
4196 Blue Spirits/Freddie Hubbard, February 1965
4202 I Want to Hold Your Hand/Grant Green, March 1965
4209 Dippin', June 1965
4222 Cornbread/Lee Morgan, September 1965
4230 A Caddy for Daddy, December 1965
4236 Mustang!/Donald Byrd, June 1966
4241 Slice of the Top, March 1966 (not released)
4259 Blackjack/Donald Byrd, January 1967
84273 Hi Voltage, October 1967
84288 Reach Out!, January 1968
84312 Charisma/Lee Morgan, September 1966
84329 The Flip, July 1969
84367 Thinking of Home, July 1970 (not released)
84425 Far Away Lands, May 1967
84426 The Rajah/Lee Morgan, November 1966
84431 Another Workout, March 1961/December 1961
84435 Straight No Filter, March 1963/February 1965/June 1966
BN LA 224 G Lee Morgan Memorial Album, September 1965
LT 1081 Third Season, February 1967
BNJ 61005 Senor Blues/Horace Silver, November 1953
BNJ 61006 Hank Mobley Quintet Featuring Sonny Clark, August 1957
BNJ 61007 The Jazz Messengers at the Cafe Bohemia Vol. 3, November 23, 1955
GXF 3052 K.B. Blues/Kenny Burrell, February 1957
GXF 3056 My Conception/Sonny Clark, March 1959
GXF 3066 Poppin', October 1957
so about 50 legitimate sessions (ie., released around when recorded.. ) plus 13 or so released later on.... i wonder how many other blue note artists recorded as much for the legendary label.. grant green comes to mind but there aren't many others that recorded as much for blue note..that is for sure..
2 comments:
Love the list of Hank Mobley sessions. I think for distinctive style, simple and effective sessions and great ensembles, a student and player of jazz can't do better than to study Hank Mobley recordings. Funny how completely different the jazz business was back then, with so many recording sessions, guys swapping back and forth between bands, sidemen getting dates as leaders, and all that. I guess now with modern technology we have even more opportunity to record like crazy in our own basements, and wouldn't even need to meet the other musicians. Still, it was a golden era. The art of modern jazz was incubated by the social setting of the clubs, recording technology, and a few key record labels more than anything else, you could say.
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